This time, with a lot of changes made and the film being down to a much more suitable 12 minutes, we sat down with Neil, who went through and made a few more suggestions of how to make the film flow a little more smoothly, and then went in depth about how plot out the sound, in terms of tones and melodies.
We discussed, a motif for Jeffrey and certain moments within the film. About building up the sound and taking it down again, to build suspense within the audiences mind. And about what the sound was supposed to help say about the character Ridley, his state of mind, foreshadowing future actions etc.
A little later than antipated, we handed over the picture lock to Owen the next day (10/04/14) we had left gaps of where we were going to insert some establishing shots, once filmed, and I told to ignore working on the final scene until we had decided on a suitable ending for it, which would include some refilmed shots after Easter.
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