Wednesday, 5 February 2014

Location Scouting

Today me and Tom went around town to find the best outdoor locations

We were looking for an alleyway and the entrance to a strip-club as well as this we were looking for an alternative to the Montgomery Theatre which although we could get a discounted rate of, would still cost £100 a day and we needed it for two days.

The Outside of the Stripclub



Although we wouldn't need the interior at all Tom still needed to get permission for us to use it.

As an the alleyways we passed didn't seem to look very menacing we started to consider alternatives such as the subways under the roads. But to get an undisturbed shot would mean we would have to film very late and we didn't think it was worth it, as well as that, from the experience I had of filming under there people would disturb the shots I would want quite frequently. I suggested a park bench, and I knew of a park that wasn't to far from the location of the strip club (as we would be filming both scenes on the same night-weather depending) I picked a bench that had a street lamp near by so that it would make it easier for the cinematographer to get a decently lit shot. The bench for just outside the playarea, which I preferred as the playground in the background framed the shot better than if he was in the playground.




After our walk around town I left Tom to check out The Lantern Theatre which he had tried contacting via email and phone to no avail. I went in and had a chat with the technical supervisor who gave me an email address he said would be replied to. The response I got from said email was that the theatre would be in full use during March, therefore it was out of the question which is a shame because I think it really personificated the tone of the film.




Monday, 3 February 2014

Editing the Script

How I worked with the screenwriter who was also the producer, as that every time he did a draft of the script, I requested to see it, I would then make notes on it and send it back to him for adjustments. This process worked between Draft 3 to the final Draft (7). Here is an example of the process [Draft 3 - Draft 4]

Web Link: http://www.scribd.com/doc/213113824/Ridley-Draft-3

Web Link: http://www.scribd.com/doc/213113822/Notes-on-Ridley-Draft-3

Web Link: http://www.scribd.com/doc/213113823/Ridley-Draft-4

Sunday, 2 February 2014

Research: Understanding the conventions of Psychological Thriller

To better prepare myself for the project I did a bit of reading about Psychological Thrillers trying to find similarities between the film I wanted to achieve and the ones already in existence.

Chapter 7: Psychological Thriller and Serial Killers and the Motif of Madness;
The general consensus is that psychology thrillers. Consistent themes pertain to reality, perception, mind, questions about existence or purpose, issues or identity, and the deliberations about death. Characters often try to determine what is true and what is not. Perception is distorted, because they misperceive the world around them or because their perceptions are altered by outside factors. The mind itself is a powerful force in  the psychological thriller, and it is often used as a location for narrative conflict. Characters often battle their own minds to reach a new level of understanding of perception. (Page 87)
Sharon Packer (2007), Movies and the Modern Psyche; Praeger Publishers, US

This was the most useful passage I found, as I trolled for facts and information, as it brought up a number of themes that occur in Ridely; Reality, Perception, Mind, Existence/Identity. From this I have an idea of how I want to steer the theme and tone of Ridley, through the shots and as I objectively edit the script

Thursday, 30 January 2014

First Group Meeting

Today we worked out what was left to do and I gave time frames for when i wanted them done. I was using the allocated weeks for production we were given as a guideline.

Present at the Group Meeting: Tom (Producer) Chris (Cinematographer) Owen (Sound) Jen (Director)

Things To Do

Location
Theatre - Confirm details of The Montgomery - Mon 3rd (£200)
             - Lantern Theatre - Location Scout - Tues 4th
Hotel - Chris confirm if we need to pay and how much
Alleyway - Location Scout -Tues 4th
StripClub - Location Scout - Tues 4th

Characters
4main - Have confirmed by 10th/12th
3minor
Crowd

Paperwork
Script - Final - 7th Feb
Shot List - Week of 10th
Storyboard - Week 17th

I also went through what me and Neil had talked about with Owen and gave his the following ideas of what I was going for with the sound.

Bassy/Techno/Dubsteppy music
Soft/Classical/Violins
Something sung by a woman kind of hauntingly like the lead singer of Evanescence.

Which I wanted by Thurs 12th

It was good to meet and get the ball rolling and sort out what needs to be done within time frames, and especially as we are starting earlier than our designated week I think it makes everyone feel a lot more relax and eliminates the need to worry about the deadline dates in a few months.

Wednesday, 29 January 2014

Tutorial with Neil

Today I met with Neil to discuss where we were heading so far with the project.

Thus far we had a penultimate rough draft of the the script, which would be completed by the end of the week.
I also mentioned that we had a group meeting scheduled for later that week where we would discuss locations, characters and general scheduling.

Neil then helped me find a way to express to Owen (Sound) my thoughts on sound as I am not very articulate when it comes to trying to explain certain things.
What we decided was that I sound come up with either emotions or musical genres or tones and then get Owen to comprise a list of about 10 sound clips that he think best exemplifies what I was describing. I was to then go through the list and agree or disagree or say "A bit like this one and a little like that one" which means that by the time it gets to the sound editing stage we will have come up with the best soundscape.

Wednesday, 1 January 2014